The “Snail” has broken cover! Come out from under a flower pot and is now rampant! Exposed to the rigours of the market.
It’s been a “nose in a book” week. Several weeks actually. The pile of “yet to be finished” titles by the bed and on the table by the sofa was a reproach that had to be tackled: some had been started so long ago the beginning was forgotten.
Arthur Baskerville’s observations are as characterful as the people he describes. Two old persons groping their way downstairs to breakfast had me staring at myself and BH, both poignant and funny. And the reader is present again, naughtily eavesdropping in an English tea shop.
Inevitably children will climb on him, sit on his knee, stroke his beard. They will want their selfies taken with the creator of Oliver Twist, Scrooge and Tiny Tim. And the arch story-teller, the heart-twister, the master of suspense would relish this new spotlight, and the chance to introduce a new generation of readers to his dear old favourites.
When did you last lie flat on your back gazing at the sky? Coming from the north, and a landscape that rapidly changes, I’ve always loved the fact of clouds and their uniqueness. Now you see them, now you don’t. Only the sea is as changeable.
As ready as the next person to castigate supermarkets that sell hot-cross buns on Boxing Day, I nonetheless make no excuse for talking of Easter in the middle of Lent.
For little ones, “The Story of St Francis of Assisi” is an excellent buy at a time when the National Association of Headteachers is urging parents to help their children to read before they begin school. This delightful book costs less than two packets of cigarettes . . .
It was ill-health that propelled Brother Adam into the world of bees – more outdoor exercise was prescribed – and he never looked back.
High-profile crusaders like Victoria Gillick tend to be seen in black or white – one loves or loathes them. Most parents are, I suspect, in broad agreement with her principles; it’s the way she puts them over that get people’s backs up. It is the sounding brass and tinkling cymbal approach as distinct from the cunning serpent and harmless dove tactic.
Stripped of the romantic embroideries beloved of simple Christians, St Frideswide’s fairy tale of imperilled virtue, escape and hiding emerges more or less intact.